Showing posts with label weeping angels. Show all posts
Showing posts with label weeping angels. Show all posts

Tuesday, April 27, 2010

Doctor Who: The Time of Angels - Faith in the Dark

So... the Weeping Angels are returning with a vengeance....


I honestly didn't think I could be terrified any more by them... it's bad enough they have forced me to develop a phobia of stone statues in a churchyard... now I'm terrified of them coming out of the television!

There was certainly a lot to take in during the course of this episode... Moffat has certainly tossed a lot of cards onto the table.

Firstly there was the return of the mysterious and enigmatic River Song. Moffat certainly teased and tantalised us with tidbits. There were playful hints (again), as to exactly what the nature of her relationship with the Doctor is/will be. We also know now that she has a shady past... something that at this stage of his life, the Doctor may not be ready to accept. We also know that she has had flying lessons in a TARDIS... and appears to be more proficient than the Doctor (although I suspect he "leaves the brakes on" for dramatic flair), but the question remains... who exactly taught her? I'm also personally curious as to whether or not there is a link between Amy and River... they both used the exact same term of phrase to describe the Doctor's reason for museum visits.

Next we have the militaristic clerics led by their bishop, Father Octavian. Being a Christian I took special interest in this faction of soldiers. At a guess I'd have to say that their presence and the name of the crashed starship (the Byzantium), are a nod back to both the Roman Empire and the militaristic Roman church of old. Octavian was the original name of the Emperor Augustus and Byzantium was the capital of the Eastern Roman Empire. Whilst they appear both pretty conservative and militaristic (particularly Octavian), I don't think they came across as negative. Quite how their involvement figures into the big picture I'm not certain... but lets not forget they were on a mission to protect the human colonial inhabitants of Alfava Metraxis and were sent to "neutralise" the angel. Curiously Octavian appears to be aware of who the Doctor is.

Then finally of course we have the angels themselves. As I said... terrifying as they were in Blink, Moffat has expanded on their background and abilities and made them much more formidable. Just as the daleks eventually neutralised the "staircase escape technique", the angels have a workaround for their quantum lock weakness. If you don't blink... and you look them in they eyes, they begin to turn you into one of them. The same goes with technical equipment or anything used to record their image.

"That which holds the image of an angel itself becomes an angel"

Amy inadvertently finds herself staring at the image of the angel onscreen... as it projects itself through a television screen and starts to attack her. This has dangerous repercussions for her as she herself finds herself (through psychological manipulation), turning slowly into an angel. The Doctor temporarily saves her from this fate by biting her hand which she believes to be stone.

Furthermore, the angel the clerics were sent to neutralise was a creature of incredible cunning and infinite patience. It bided its time, lying dormant for centuries until it sensed an opportunity to revive others of its kind on the planet. I thought it was curious that the characters were referring to the native Aplans as double-headed creatures when none of the statues had two heads... and then  in a marvellous twist we found out why! The statues were not Aplans but deteriorating angels who were now slowly being restored by radiation leakage from the Byzantium's engines.

As the Doctor, Amy, River and the surviving clerics run to the Byzantium crash site, they find themselves closed in by the angels (now communicating with the Doctor having killed cleric Bob and used his cerebral cortex to fashion a means of communication - this I thought was very similar to the way in which the Vashta Nerada communicated with the Doctor in Moffat's previous River Song story). As the lead angel boasts of its imminent victory and the characters' impending doom, it also tries to provoke the Doctor tino rage. The Doctor responds by stating the one thing you shouldn't put in a trap if you have any sense... is him. He then fires a cleric's pistol into the gravity globe... the sole source of light and protection from the nearing angels... and the show ends on a cliffhanger.

I think the name of the globe is a hint at how they might escape their initial peril (gravity globe... by destroying it, my guess is they will float or fall out of harms way), but this is pure speculation.

A couple of things stood out for me in this episode with regard to spirituality. The first unsurprisingly is the nature of angels - or more specifically... fallen angels. in the episode, the Doctor talks of the power of the angels being in their image. This is so true. One of my major concerns about the modern world's obsession with the occult, is the mistaken belief that all spiritual forces that make themselves out to be benign or benevolent... are exactly what they pertain to be. I'll be focusing on this in a later post that has been brewing for quite some time in my head.

In one passage, the Bible speaks of Satan masquerading as an angel of light. By wooing us with what appears to be kindness, he lowers our defences and opens us up to his more nefarious plans. In the Narnia stories, the White Witch appears to be benevolent in some scenes... until her dark schemes are revealed. When Jonathan Ross criticised the film version, for "confusing the audience" about who was good and bad between Aslan and the witch I had to break out with a wry smile. He was missing the entire point!

I don't know if you've ever seen the Usual Suspects, but there is an excellent line in it which is very telling:

"The greatest trick the devil pulled was convincing the world he didn't exist."

In the latest episode of Doctor Who, Amy has been put in personal peril because she was drawn into the gaze of an angel. Similarly if we become enamoured with the occult, we too can be drawn in and find ourselves in great physical, psychological and spiritual danger.

The other spiritual point I wanted to make was with regard to the Doctor himself; it's from the cliffhanger:



"There's one thing you never put in a trap if you're smart. If you value your continued existence, if you have any plans about seeing tomorrow, there's one thing you never, ever, put in a trap: me."

That to me sums up the relationship between Jesus and Satan. In Gethsemane, Satan must have thought he'd got the ultimate one over on God... killing his Son in mortal form. He put Jesus in a fatal trap... but what he failed to anticipate was the fact that Jesus being in the trap was actually part of God's plan. When the lights went out on Good Friday, it was the ultimate cliffhanger.

However on Easter Sunday... Satan got utterly owned. Jesus may have subjected himself to The Law... but because there was no sin to be found in him, it had no power over him.

The Doctor asked his companions whether they trusted him, whether they put their faith in him... and they responded positively.... this was just before he plunged them into darkness and risk.

Similarly, God can ask us to put our faith in him whilst we find ourselves in the midst of very strange or nerve racking circumstances. I suppose the question we have to ask ourselves is when these times come... are we prepared to put our trust in him?

Sunday, June 10, 2007

Latest Thoughts on Doctor Who

I think watching Doctor Who last night might just rank as one of the most terrifying televisual experiences of my entire life.

The plot was a "Doctor lite" episode and revolved around the idea that the Doctor and Martha had been cast back to 1969 by a species of interstellar psychopathic "assassins" known as "the weeping angels". They don't kill you exactly... they remove you from your current life and send you back to some obscure point in the past, to live out your days among strangers. Fortunately for us, these assassins are "quantum locked" - if anything living sees them, they instantly turn to stone. Furthermore, they are a little like the gorgons from Greek mythology... for if they look upon one of their own kind, they become forever set in stone. Here is a clip of them in action... but I don't recommend looking at it if you are easily scared. Never has a statue been as terrifying:
I was genuinely petrified (pardon the pun).

Still... in between the heart attacks, I was more than compensated by the pleasing on screen demeanour of Carey Mulligan:



Wow! I was a very happy man. I may even have to consider making an exception to my "No Jane Austen" rule (she appeared in the recent big screen adaptation). I really hope we see much more of her acting on stage and screen... it seems likely as judging by the roles she has been winning for herself, her star is in ascendancy.

All the same, I don't think I'll be attending a cemetery or figurine sculpture exhibition for a long time to come after watching Blink. All in all, an excellent one shot drama in it's own right it was a strong enough plot not to require the presence of the Doctor.

This episode followed in the wake of last week's conclusion to a two part Doctor Who adventure... and that gave me a lot to think about.

First we had the Doctor, in the guise of "John Smith" - facing his own Gethsemane moment. To avoid being captured by "The Family of Blood" (although really as it turned out, he was trying to hold himself back from judging them), the Doctor took on human form, storing his personality in a pocket watch. Unfortunately, the problem with taking on human form, is that you also take on human feelings and human desires. It isn't long before the Doctor falls head over heels for a matron in 1913 and has grown very attached to his mortal life.

Unfortunately the Family of Blood have managed to track down the Doctor and set about causing mayhem, in pre WWI England. the only person who can stop them is The Doctor... but the Doctor is John Smith now... and if John Smith chooses to become the Doctor, then John Smith dies.

We are treated to a glimpse of what life would have held for John Smith if he had remained as a human and not become a timelord. His life literally flashes before his eyes. This is very much the kind of idea explored by Scorsese in The Last Temptation. The idea of an alternate future being presented to the hero (the Doctor/Christ), as a form of temptation. You really gain a small insight into how hard a choice Jesus made, when you look at it in that way.

That said, once the Doctor is re-established, he acts like a god... but in some ways he comes across more like a Greek god... rather than the more benevolent Christian God (I'm not saying that God does not judge, but he always offers people the opportunity to repent). He consigns all the troublemakers to live out eternity under individual terrible punishments:
  • wrapped in unbreakable eternal chains
  • thrown into the event horizon of a dying sun
  • trapped in every mirror in existence
  • and lastly...
... and most poignantly of all, one of his enemies is put to work watching the fields of England as a scarecrow. He becomes the symbol of John Smith's death and The Doctor's victory, for all to see... and as a scarecrow he tellingly symbolises that paradox, cruciform - the shape of the cross.

Here is a visual summary I found on YouTube, set to the music of Evanescence... it's been put together really well:
A good couple of episodes... and now we are hurtling towards the climax - the final three episodes of the series. I can't wait.

In a couple of days I'm going to respond to an article I read in a recent science fiction magazine. that attacked the idea of religious concepts being used as credible themes in the science fiction genre. It may be quite hefty... so watch out for it!
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